Berkeley CSUA MOTD:Entry 30002
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2025/04/04 [General] UID:1000 Activity:popular
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2004/5/4-5 [Consumer/Camera] UID:30002 Activity:high
5/4     Um, so I asked the question yesterday about the Canon digital rebel
        and what problems people seem to say it has that prevents someone
        from moving beyond point-and-shoot yada yada. The kchang link reply
        wasn't helpful... anyone know what the deal is?
        \_ While we're on the topic, does anyone have a good article that
           explains white balance. is this an issue only in digital or film
           as well?
           \_ It's an issue in film development.
        \_ Go to the forums @ http://dpreview.com. In fact, all digital camera
           questions should go there.
        \_ user interface.  Digital Rebel has terriable user interface to
           be operated manually (i.e. adjust both apature and shutter speed
           manually).  Having said that, the best teaching tools is
           go get a (used) 100% manual camera with a 50mm lens, and take
           black n white classes, you will be amazed how fast you improve.
           \_ I totally disagree; digital is a much better way to learn,
              because you take more pictures and get more rapid feedback
              about how they came out.  As for adjusting both aperture and
              shutter speed independently, how often is that really necessary?
              Aperture or shutter-priority mode with exposure compensation
              will handle almost all the needs of most photographers.  -tom
              \_ How often?  All the time if you know wtf you're doing and
                 want the best results.
              \_ it's two degree of freedom no matter what.  Digital
                 Rebel is not designed to tinker with both without pushing
                 tiny buttons to switch mode.   and, yes, Digital is much
                 more convinient than 35mm, but convinient doesn't equate
                 to better tool to learn.
                 To move beyond point n shoot requires dicipline, and
                 I've seen too many newbies lost his/her dicipline
                 completely with digital camera.  For beginners, it's
                 more important to *THINK* before shutter is pressed,
                 it's more important to use plain old center-weighted
                 meter to read different exposure situation (instead of
                 rely on AI).  Most beginner knows the existance of
                 exposure compensation, but they don't know when to
                 override the automatic meter.  Further more, B*W film
                 is known for unlenient latitude toward exposure.  Each
                 failed exposure means the image will not come out at all.
                 For digital camera, like all consumer product, a lot
                 of effort has put into software which automatically
                 making adjustments so the picutre turn out correctly.
                 That, combine with unknown characteristics of CCD/CMOS
                 exposure latitude, give newbies false sense of
                 security.
                 \- i really really hate this recent trend in cameras/lenses
                    that make changing the aperture a pain in the ass ...
                    worst are ass lenses like the nikon Gs which have no
                    control ring. even on high end cameras prefer you
                    to use one of the on-body dials ... which just seems
                    difficult handle while trying to take pix quickly.
                    i think most people just care about composition for
                    fairly easy shots to take. digital is sort of a
                    brute force approach ... bracket like crazy and pick
                    your shots later. if that isnt an option you need to know
                    what you are doing. it ise usefulto have EXIF info
                    but i think few people end up going over this stuff.
                    "taking better pix" != learning photography. for the first,
                    go digital, if you can afford it. for the latter,
                    canon f-1, if you can afford it. --psb
        \_ When I was looking for a SLR digital camera I spoke to some of
           the pro/near-pro photographers at work about which canon to get
           (10D vs digital rebel). They all said that the 10D was overkill
           for someone learning photograhy and that the digital rebel was a
           much better choice. One said that while the ui wasn't the best
           for full-manual shooting (the reasons given above, plus a few
           more to do with the focal points) it was good enough to learn all
           the aspects of good photography without getting bogged down in
           the minutiae of a "true" pro camera. One or two told me that they
           had a digital rebel which they used for personal photography
           mostly because it was lighter and smaller than the 10D (and
           similar).
           Personally, I feel that the digital rebel is a great camera
           (given that you get a pretty good lens w/ the camera for around
           $950 or so). I've learnt more about photography with it than I
           did with a fully manual camera mostly because it lets me take
           lots of photos and compare the results of my manual settings with
           those of the fully auto settings. I have played around with fully
           manual cameras (my dad is a photonut) but I could never get
           decent enough photos to stick with it and learn the nuances
           because it was too hard to get a decent photo (I would often
           leave my camera at home on trips, because no pictures was about
           the same as getting really crappy pictures, not so with the
           digital rebel). YMMV.
           \_ i read about someone german guy hacking the digital rebel ROM
                to unleash all the features in the more expensive 10d.
2025/04/04 [General] UID:1000 Activity:popular
4/4     

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dpreview.com
In the US the base E-1 body has been reduced by $300 to $1499, in the UK the E-1's body price is down 300 to 999 inc VAT (the kit including 14-54mm lens now 1399 inc VAT). This new price change brings the E-1 into line with the Canon EOS 10D (excluding lenses). In addition Olympus America are also offering a range of rebates up to $100 off Zuiko Digital lenses. They own United States patent 4,698,672 which covers the JPEG compression standard, this patent was created by Compression Labs who Forgent bought back in 1997. Over the last two years, Forgent's has generated $90 million from licensing the patent to 30 different companies. The camera companies include Canon, Kodak, Fuji, Kyocera, HP, Panasonic, Ricoh, Toshiba, Concord and software suppliers Adobe, Macromedia, JASC. New cameras from Canon (PowerShot Pro1, EOS-1D MARK II), Kodak (DCS Pro 14nx, DCS Pro SLR/n), Konica Minolta (DiMAGE A2), Nikon (D70, Coolpix 8700), Olympus (C-8080 Wide Zoom) and Sigma (SD9, SD10) are now supported. They are the easiest means of archiving digital photographs today, but if disc is useless after 2 years, perhaps another archival medium is required. If CD-R is still your chosen media, then purchase the best, record at the recommened speed for your drive, and store in a cool dry environment. Our full in-depth review of the eight megapixel Olympus C-8080 Wide Zoom. This camera combines a brand new five times optical wide zoom (28 - 140 mm) lens with a 2/3" type eight megapixel CCD. The C-8080 also sports a new body design and comprehensive control system. See how the C-8080 Wide Zoom performed in our tests and how it compares to the other four eight megapixel digital cameras currently on the market. Our full in-depth review of the all new eight megapixel Canon PowerShot Pro1. This camera features a 2/3" type eight megapixel CCD sensor combined with a Canon "L-type" 7x optical zoom lens which provides a wide zoom of 28 mm to 200 mm. See how the Pro1 performed in our tests and how it compares to the other four eight megapixel digital cameras currently on the market. Our full in-depth review of the eight megapixel Nikon Coolpix 8700. This camera is visually identical to the Coolpix 5700 as it shares that camera's body and lens, however there have been quite a few changes inside the camera. This is Nikon's offering to the eight megapixel prosumer market which is now made up of five cameras. See how the Coolpix 8700 performed in our tests and how it compares to the other four eight megapixel digital cameras currently on the market. Our full in-depth review of the eight megapixel Konica Minolta DiMAGE A2. The A2 shares its body design, lens and control layout with the five megapixel DiMAGE A1 but pushes the megapixel count up to eight and includes several 'under the hood' improvements. See how the DiMAGE A2 performed in our tests and how it compares to the other four eight megapixel digital cameras currently on the market. This new ultra-compact camera appears to utilize a 'folded optics' lens design similar to the Minolta DiMAGE X series and the Sony DSC-T1, T11. The AZ-1 also comes with a cradle used for charging the camera's internal Lithium-Ion battery as well as providing USB and video out connectivity. This camera has not yet been announced outside of Japan and it's not clear at this stage whether this will become a domestic market only camera.