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| 2005/4/10-12 [Consumer/Camera] UID:37136 Activity:moderate |
4/10 My wife is taking a vacation and needs a portable digital photo
storage device. She's not a technophile, so something easy-to-use
would be great. Any recommendations? Thx enlightened MOTD-sters!
\_ If you don't mind getting an iPod, check out the Apple iPod
camera connector and the Belkin iPod media reader.
http://www.dpreview.com/news/0503/05032401ipod_cameraconnector.asp
http://www.dpreview.com/news/0310/03101701belkinipodadapt.asp
\_ I don't understand why extra 256MB CF cards for $20 each can't
satisfy her ... like you can, that is. -Hans
\_ Seconded. I've tried lugging around a laptop to store photos,
and it's not worth it for a two- or three-week trip. 1G memory
cards are $60 to $80 -- they're small, light, easy to use, and
nearly indestructible.
\_ If her camera uses CF get her 1 GB CF card or a 2 GB Micro
drive. Unless she is shooting RAW w/ a 20D, this should be
more than enough for a vacation.
\_ [ follow-ups below reformatted - formatd ]
I have an X-Drive II, it's small, and easy to use, it accepts all
types of memory cards and you can upgrade the HD at any time. If you\
don't want to bother buying more and more memory cards I would suggest\
something simmilar. -scottyg
types of memory cards and you can upgrade the HD at any time. If
you don't want to bother buying more and more memory cards I would
suggest something simmilar. -scottyg
\_ Thx for the suggestion, scottyg.
FYI, she has a Nikon D70 and will shoot in RAW format (big files).
She already has a 1GB flash card (plenty for 1 day of shooting), but
may need more storage for a 6+ week trip. I'll check out the X-
Drive. Thx.
\-if you are serious about photography, get a 50-100gig portable
She already has a 1GB flash card (plenty for 1 day of shooting),
but may need more storage for a 6+ week trip. I'll check out the
X-Drive. Thx.
\- if you are serious about photography, get a 50-100gig
\- actually even
20g may be ok.
storage device. the "store everything on CF" is not reasonable
for +1week. if you are very serious [meaning professional and
if you lose the pictures, there will be serious problems, i.e.
you need to backup or upload on the road], then you might
consider the portable burners. it sounds like you are in the
middle category. details like whether you are on the power grid
or not, how much stuff you are carrying, theft probability also
affect decisions on the margins. road trip through the southwest
!= high himalaya. if you are looking at something hardcore,
go to like an REI and browse this:
http://www.bookpool.com/sm/1592003885 [worth a browse. unclear
necessity to buy]. --psb, link:csua.org/u/bmr
portable storage device. the "store everything on CF" is
not reasonable for +1week. if you are very serious [meaning
professional and if you lose the pictures, there will be
serious problems, i.e. you need to backup or upload on the
road], then you might consider the portable burners. it
sounds like you are in the middle category. details like
whether you are on the power grid or not, how much stuff
you are carrying, theft probability also affect decisions
on the margins. road trip through the southwest != high
himalaya. if you are looking at something hardcore, go to
like an REI and browse this:
http://www.bookpool.com/sm/1592003885 [worth a browse.
unclear necessity to buy]. --psb, link:csua.org/u/bmr
\_ 50-100gb?!!! It's sad to see digital cameras promoting
"shotgun" photography.
\- ok henri. the marginal cost of extra gb is really small.
if you need 20gb for a 2 week trip and next year you
might go on a 3 week trip with 2 cameras and by then
you have bought an 8mp camera, you might as well spend
the extra $1/gb upfront. on a recent photo trip i took
maybe 10 pictures of sunrise over the ganges. in the
evening i was shooting a religious festival on the
banks ... since people are moving i shot 70 or 80 pix
in maybe 15min. that's because everything is motion, so
you are sort of doing "compositional bracketing" rather
than exposure braketing. i still think there is some
difference with latency on digitals and more shots of
people seem to be mistimed. BTW: i took 500-600 digital
pix in ~4 days and 6 film shots. 4 or 5 of the film
shots are keepers while maybe 20 of the digitals. but
if i was shooting all film, i wouldnt have gotten maybe
\- ok henri. the marginal cost of extra gb is really
small. if you need 20gb for a 2 week trip and next
year you might go on a 3 week trip with 2 cameras and
by then you have bought an 8mp camera, you might as
well spend the extra $1/gb upfront. on a recent photo
trip i took maybe 10 pictures of sunrise over the
ganges. in the evening i was shooting a religious
festival on the banks ... since people are moving i
shot 70 or 80 pix in maybe 15min. that's because
everything is motion, so you are sort of doing
"compositional bracketing" rather than exposure
bracketing. i still think there is some difference
with latency on digitals and more shots of people
seem to be mistimed. BTW: i took 500-600 digital pix
in ~4 days and 6 film shots. 4 or 5 of the film shots
are keepers while maybe 20 of the digitals. but if i
was shooting all film, i wouldnt have gotten maybe
half the shots i did with the "digital shotgun". --psb
\- btw, i also use digital cameras as what you might
call a documentary device in addition to photography.
i might take a picture of a menu or a sign or a food
item just for informational value. --psb
\_ Isn't there a Compact Flash -> ipod interface doohicky
you can get? Also, shotgun photography is a major
technique of National Geographic. There is a reason
why their photographs are sooo good.
\_ I watched a NG special a fews ago and which gave
me the impression that most NG photographers are
still film. The ones that shoot digital probably
use something like a 1DS Mk2 w/ an L series IS
lens.
\_ you can do shotgun photography with film. Most
good, serious photographers take a lot of photos.
-tom
\- it depends on what you are shooting. there
are a couple of schools of thought on this.
HCB is famous for deriding peopel for shooting
like crazy instead of looking for the "decisive
moment". but shooting in paris != shooting on
the african savannah. shotgun != bracketing.
\_ check out Flashtrax products: http://www.smartdisk.com
Or Wolverine products (can buy at Fry's, $150 for 40GB). |
| 5/17 |
|
| www.dpreview.com/news/0503/05032401ipod_cameraconnector.asp Apple's iPod Camera Connector is now available from its online store for $29. The connector allows you to transfer im ages from your digital camera via the USB cable to your iPod Photo for i nstant viewing slideshow playback. It supports any camera which has PTP, Normal (Type 4) or Mass Storage USB compatibility. |
| www.dpreview.com/news/0310/03101701belkinipodadapt.asp Belkin has announced an adapter unit which will add digital photo storage capability to an Apple iPod portable music player. The media reader con nects to the iPod via its FireWire interface and stores images from Comp actFlash Type I or II (and other media via CF adapters) in 'roll' direct ories on the iPod, these can easily be retrieved later by simply connect ing the iPod to your computer. Do More with Your iPod Add voice recording and media reading to your iPod with new accessories f rom Belkin (Compton, CA) - October 16, 2003 - You can now add recording and digital- image storage to your iPod's amazing music-playback capabilities. The Be lkin Voice Recorder and Belkin Media Reader for iPod let your iPod doubl e as a digital voice recorder and allow you to store thousands of digita l photos on it. Joining the innovative iPod accessories line from Belkin , these two additions are currently shipping in North America. Its abundant storage capacity lets you save hundreds of hours of high-quali ty audio. A built-in speaker on the Voice Recorder lets you easily revie w your audio notes. You can then transfer WAV file recordings to your de sktop or notebook computer for storage, editing, or sending to others vi a e-mail. In addition, the Voice Recorder works as a travel alarm clock. Benefits * Features high-quality, omnidirectional microphone and 16mm speaker fo r quick playback * Attaches securely to your iPod player through remote/headphone connec tor * Indicates recording status of Voice Recorder with LED indicator * Requires no software installation, with Plug-and-Play technology; The Belkin Media Reader for iPod is the ideal tool for the mobile pho tographer. Now, you can back up digital images to your iPod, and take th em with you on the road. Your iPod can hold thousands of digital photos and frees up your camera's disk space so you can take more pictures. Sim ply connect the Belkin Media Reader to your iPod's dock connector, and i nsert any of the six supported media types. Using software support that' s already built into your iPod (with software version 21 or later), tra nsfer the pictures quickly via FireWire technology. When at home, simpl y connect your iPod to your computer to retrieve the data. |
| www.bookpool.com/sm/1592003885 Premier Press "Extreme Digital Photography" offers practical advice for taking digital photographs in extreme environments. It covers the practicalities of equ ipment, trip planning, communication and survival, along with in-depth g uides to various locales - from climbing Everest, to rafting the Takeze, to surviving the Sahara, and features stunning photographs taken from e very region. It gives serious, in-depth information for people planning to take their digital camera with them on a trip to a wild locale, while at the same time providing beautiful images of extreme environments for those who just wish they were going. The practical information provided in this book can also be used on any journey where a digital camera is taken out into the wild. Table of Contents Part 1: Extreme Environments - Gallery 1 Wet Conditions 2 Cold Conditions 3 Hot Jungle 4 Dusty & Smoky 5 High Altitude 6 Polar Conditions Part 2: Planning for Extremes 7 What to Consider: Isolation, Duration, Mobility, etc. Extreme Natural Phenomena Part 5: Extreme Activities 33. Delivery About the Author Jonathan Chester is a leading polar photographer and adventurer. In the c ourse of thirty years of traveling to the world's most wild and remote d estinations, he has written and illustrated ten books, produced numerous films and live website coverage, and acted as a guide and expedition le ader. His digital photography has taken him on assignments to Antarctica , Africa, the Galapagos, and the Himalaya and Ladakh in Northern India, including Mt Everest. |
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