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| 2006/8/10-14 [Consumer/Camera] UID:43963 Activity:nil |
8/10 Nikon announces D80.
http://www.nikonusa.com/template.php?cat=1&grp=2&productNr=25412
\- $1000 for a d70 with 10mp and SD instead of CF. is that a
fair summary? anything qualitatively better aside from
more pixels ... i'd think for most people d70 would be
enough pixels ... and without good quality lenses, i dunno
if you really get a lot more "digital zoom" potential.
i suppose the only thing i am really interested in is fullframe.
i think "feature" like "it is smaller than a d70" is actally
not good. dont like small. there are some interface disagreements
i have with the d70. if those are fixed, that would be a win.
\_ Not only that, the 1/200sec sync speed is slower than the
1/500sec of the N70s and the N50. -- OP
1/500sec of the D70s and the D50. -- OP
\_ I imagine not having to move the curtains so fast
helps with long-term reliability. It's certainly not
as efficient as singular flash, but there's always
the high-speed-sync (continuous high-speed pulses
covering the entire time shutter is (partially)
open). I don't know about Nikon, but Canon flashes
can do high-speed-sync.
\_ Nikon flashes have high-speed-sync too, but it doesn't help
if the reason you want high shutter sync speed is to
overpower the ambient light (e.g. the sun).
\_ And slower than the 1/250s of the all-mechanical FM2n too.
\_ but it has iso 100 (d70 only supports >= iso200 ) which
compensates for the slower sync speed. and a better
focusing system (same as that of the d200).
\_ It also has a better viewfinder. More pixels with no
drawback other than file size is a win too. 6 vs. 10
is noticeable. You could make larger prints. Not that
I'd necessarily run out and buy this if I had a D70.
Actually Sony's version seems better with anti-dust
and CCD antishake for similar dough.
\- one thing i really do miss in the "second rate"
nikons [i still mean good camera ... N90, D70 etc,
just not F4, F5, D1 etc] is the view finder area
ratio is signifcantly lower in my opinion ... and
i think it affects composion in tight cases.
there still seems something just not right with
digital. for example i shot some associates with
N90+TMax and loved a large fraction of the pix,
people asked for prints, they printed them out and
gave them as presents. I then shot 5 times as many
pix in similar environment [zeitgeist beer garden
etc] with D1x, D70 and though most of the pix came
out ass. i'm wondering is it is still some micro
lag in the digital pipeline that separate the great
facial expression and the "half open mouth" or "head
at slightly the wrong angle" etc look. i know some
other people shoot perfectly good pix with digitals
by i cant figure out exactly what i'm doing wrong.
this is separate from my opinion that a lot of digital
pix look too sharp to the point of being clinical
for me.
\_ How does a lower ISO compensate for a slower sync speed?
Are you sure about that? |
| 5/20 |
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| www.nikonusa.com/template.php?cat=1&grp=2&productNr=25412 Nikon School Learn to make incredible photos easily with expert instruction. Nikon School offers two separate one-day courses that will help you make the pictures you want. New high-resolution Nikon image-processing engine: New 12- bit Image Processing Engine combines color independent analog pre-conditioning with improved image processing algorithms. With a power-up time of a mere 018 seconds and a shutter release time lag of only 80ms, responsiveness is extraordinary. Continuous shooting at up to 3 frames per second and up to 100 consecutive JPEG images: Fast framing rates contribute to the ability to capture moments in time instantly. Sophisticated systems throughout the D80, including high-speed buffer memory handling, fast image processing, high-speed memory card access and large system bus bandwidth help make this possible. Up to 2,700 images per battery charge:* High-Efficiency power systems featuring reduced power consumption and Real-Time Fuel Gauge with Nikon's EN-EL3e Lithium Ion rechargeable battery. Nikon 3D Color Matrix Metering II, plus Variable Center-Weighted and Spot Metering: Substantially more sophisticated than traditional multi-pattern metering systems, Nikon's 3D Color Matrix Metering II instantly and accurately evaluates brightness, color, contrast, selected focus area and subject-to-camera distance information, referencing the results against an onboard database of 30,000 scenes from actual photography. Vary the size of the center-weighted area reading and spot metering readings correspond to 11 focusing points. In-Camera Image Editing with Retouching Menu: Highly versatile in-camera editing features include Nikon D-lighting, Red-eye Correction, Image Trimming, Image Overlay, Monochrome Black and White, Sepia and Cyanotype along with Skylight, Warm Tone and Custom Color filter effects. Built-in Speedlight with Nikon i-TTL flash metering and two-group Wireless Commander: Nikons acclaimed i-TTL flash control evaluates flash exposure with greater precision to achieve better automatic flash balance and deliver outstanding results with SB-600, SB-800 or SB-R200 Speedlights. New Wide Area AF option gives greater compositional freedom when shooting sports and action. Seven Digital Vari-Programs plus Programmed Auto with Flexible Program, Shutter-Priority Auto, Shutter-Priority Auto and Manual: Digital Vari-Programs include: Auto Portrait, Landscape, Macro Close up Sports, Night landscape, Night portrait each of which adjust automatically for optimal results under varied conditionsautomatically. Image Optimization Mode: Optimize color, contrast, sharpening as well as other image settings according to the type of scene or output desired. Built-in Slideshow function with Pictmotion: Select a range of images, pick a style and add music for beautiful picture presentations delivered from the D80 to a television or simply view on the cameras 25 inches LCD. Actual prices are set by dealers and are subject to change at any time. Selection can be made from any one of the eleven AF spot sensors. Focus Lock: Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button Exposure Metering System: Three-mode through-the-lens (TTL) exposure metering; Exposure Compensation: A+-5 EV in increments of 1/3 or 1/2 EV Exposure Lock: Luminosity locked at detected value with AE-L/AF-L button Auto Exposure and Flash Bracketing: 2 to 3 exposures in increments between 1/3 to 20 EV Shooting Modes: 1) Single frame shooting mode; in steps of 1/3 or 1/2 EV, bulb Sync Contact: X-contact only; Flash Control: 1) TTL: TTL flash control by 420-pixel RGB sensorBuilt-in Flash, SB-800, SB-600: i-TTL balanced fill-flash (except when using spot metering exposure mode), Built-in Flash, SB-800, SB-600: standard i-TTL flash (when using spot metering); |