Berkeley CSUA MOTD:Entry 41314
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2025/05/24 [General] UID:1000 Activity:popular
5/24    

2006/1/10-12 [Politics/Domestic/Crime] UID:41314 Activity:nil
1/9     A million little lies
        http://www.thesmokinggun.com/archive/0104061jamesfrey1.html
2025/05/24 [General] UID:1000 Activity:popular
5/24    

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Cache (8192 bytes)
www.thesmokinggun.com/archive/0104061jamesfrey1.html
Three months ago, in what the talk show host termed a "radical departure," Winfrey announced that "A Million Little Pieces," author James Frey's nonfiction memoir of his vomit-caked years as an alcoholic, drug addict, and criminal, was her latest selection for the world's most powerful book club. In an October 26 show entitled "The Man Who Kept Oprah Awake At Night," Winfrey hailed Frey's graphic and coarse book as "like nothing you've ever read before. When the camera then returned to a damp-eyed Winfrey, she said, "I'm crying 'cause these are all my Harpo family so, and we all loved the book so much." But a six-week investigation by The Smoking Gun reveals that there may be a lot less to love about Frey's runaway hit, which has sold more than 35 million copies and, thanks to Winfrey, has sat atop The New York Times nonfiction paperback best seller list for the past 15 weeks. Police reports, court records, interviews with law enforcement personnel, and other sources have put the lie to many key sections of Frey's book. The 36-year-old author, these documents and interviews show, wholly fabricated or wildly embellished details of his purported criminal career, jail terms, and status as an outlaw "wanted in three states." In additon to these rap sheet creations, Frey also invented a role for himself in a deadly train accident that cost the lives of two female high school students. In what may be his book's most crass flight from reality, Frey remarkably appropriates and manipulates details of the incident so he can falsely portray himself as the tragedy's third victim. It's a cynical and offensive ploy that has left one of the victims' parents bewildered. "As far as I know, he had nothing to do with the accident," said the mother of one of the dead girls. he's a writer, you know, they don't tell everything that's factual and true." Frey appears to have fictionalized his past to propel and sweeten the book's already melodramatic narrative and help convince readers of his malevolence. "If I was gonna write a book that was true, and I was gonna write a book that was honest, then I was gonna have to write about myself in very, very negative ways." That is repeatedly apparent in his memoir, which announces, "I am an Alcoholic and I am a drug Addict and I am a Criminal." It is an incantation he repeats eight times in the book, always making sure to capitalize the 'c' in Criminal. But he has demonstrably fabricated key parts of the book, which could--and probably should--cause a discerning reader (and Winfrey has ushered millions of them Frey's way) to wonder what is true in "A Million Little Pieces" and its sequel, "My Friend Leonard." When TSG confronted him Friday (1/6) afternoon with our findings, Frey refused to address the significant conflicts we discovered between his published accounts and those contained in various police reports. When we suggested that he might owe millions of readers and Winfrey fans an explanation for these discrepancies, Frey, now a publishing powerhouse, replied, "There's nothing at this point can come out of this conversation that, that is good for me." It was the third time since December 1 that we had spoken with Frey, who told us Friday that our second interview with him, on December 14, had left him so "rattled" that he went out and hired Los Angeles attorney Martin Singer, whose law firm handles litigation matters for A-list stars like Jennifer Aniston, Catherine Zeta-Jones, and Britney Spears. While saying that he had initially asked his counsel not to send us a pre-publication legal letter, Frey apparently relented late Friday night. That TSG letter also detailed many topics we discussed with him in our first two interviews, both of which were off the record. We consider this preemptive strike on Frey's part as a waiver of confidentiality and, as such, this story will include some of his remarks during those sessions, which totaled about 90 minutes. So let the haters hate, let the doubters doubt, I stand by my book, and my life, and I won't dignify this bullshit with any sort of further response." This was, Frey wrote, "an effort to be consistent with my policy of openness and transparency." Strangely, this policy seemed to have lapsed in recent weeks when Frey, in interviews with TSG, repeatedly refused to talk on the record about various matters, declined our request to review "court" and "criminal" records he has said he possesses, and continued to peddle book tales directly contradicted by various law enforcement records and officials. But during these interviews, Frey did, for the first time, admit that he had embellished central details of his criminal career and purported incarceration for "obvious dramatic reasons" in the nonfiction work. He also admitted to taking steps, around the time "A Million Little Pieces" was published in hardcover in 2003, to legally expunge court records related to the seemingly most egregious criminal activity of his lifetime. That episode--a violent, crack-fueled confrontation with Ohio cops that resulted in a passel of serious felony charges--is a crucial moment in "A Million Little Pieces," serving as a narrative maypole around which many other key dramatic scenes revolve and depend upon for their suspense and conflict. Frey has repeatedly asserted in press interviews that the book is "all true" and he told Winfrey, "I think I wrote about the events in the book truly and honestly and accurately." The author told us that he had the court records purged in a bid to "erect walls around myself." Referring to our inquiries about his past criminal career, Frey noted, "I wanted to put up walls as much as I possibly could, frankly, to avoid situations like this." The walls, he added, served to "keep people away from me and to keep people away from my private business." So why would a man who spends 430 pages chronicling every grimy and repulsive detail of his formerly debased life (and then goes on to talk about it nonstop for 2-1/2 years in interviews with everybody from bloggers to Oprah herself) need to wall off the details of a decade-old arrest? When you spend paragraphs describing the viscosity of your own vomit, your sexual failings, and the nightmare of shitting blood daily, who knew bashfulness was still possible, especially from a guy who wears the tattooed acronym FTBSITTTD (Fuck The Bullshit It's Time To Throw Down). We discovered the answer to that question in the basement of an Ohio police headquarters, where Frey & Co. failed to expunge the single remaining document that provides a contemporaneous account of his watershed felonious spree. In a New York Times review, Janet Maslin mocked the author--a former alcoholic who has rejected the precepts of Alcoholics Anonymous--for instead hewing to a cynical "memoirist's Twelve Step program." A few journalists have openly questioned the truthfulness of some book passages, especially segments dealing with Frey undergoing brutal root-canal surgery without the aid of anesthesia and an airplane trip during which an incapacitated Frey is bleeding, has a hole in his cheek, and is wearing clothes covered with "a colorful mixture of spit, snot, urine, vomit and blood." And then there's the time in Paris (he's supposedly fled to Europe after jumping bail in Ohio) when, on his way to commit suicide by throwing himself into the Seine, Frey stops into a church to have a good cry. There, a "Priest," while pretending to listen to Frey's description of his wrecked life, makes a lunge for Frey's crotch. "You must not resist God's will, my Son," says the priest. A vicious beatdown ensues, with Frey possibly killing the grasping cleric, whom the author kicked in the balls 15 times. Frey told Cleveland's Plain Dealer in a May 2003 interview that the book was straight nonfiction, claiming that his publisher, Doubleday, "contacted the people I wrote about in the book. All the events depicted in the book checked out as factually accurate. The only things I changed were aspects of people that might reveal their identity. However, the book, which has been printed scores of times worldwide, has never carried a disclaimer acknowledging tho...