Berkeley CSUA MOTD:Entry 29021
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2025/04/04 [General] UID:1000 Activity:popular
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2003/7/13-15 [Consumer/Camera] UID:29021 Activity:high
7/13    A friend wants to make a documentary with a digital camcorder. She has
        about a $3000 budget, give or take, for the camera alone (not tripod
        and such). People seem to recommend Canon. Anyone here have one? Is
        there something else she should look into? If she doesn't have to
        spend her whole budget so much the better. She's new to this digital
        stuff, but not to film making. She's considering the XL1S and GL2.
        Still images aren't needed and wouldn't be used. --dim
        \_ I've used both Sony & Canon. Canon's have slightly better
           optics, Sony's don't break as much. All generalizations are false.
        \_ The GL series is not a "real" camera- try using zoom and focus
           and you'll see what I mean.  Of those two models, the XL is the
           camera of choice for indie filmmakers- I've been on several shoots
           camera of choice for indie film makers- I've been on several shoots
           with the XL and it worked out fine.  Bonus points for use of
           you'll blow u pthe camera).  Also note the XL's tendency to
           Canon's other lenses with the XL (you need an adapter though or
           you'll blow up the camera).  Also note the XL's tendency to
           "idle out" (turn off when not in use) is painful but that's really
           the only bad thing about it.         -brain
        \_ Why not Sony VX2000?  It's almost the same as the Sony's
           professional version (PD150).  From what I understand, both
           are highly regarded.  According to Canon site, XL1S doesn't
           actually have enough pixels to cover full DV resolution.
           GL2 and VX2000 do.  GL2 uses smaller CCD, though.  I don't
           know why I'm even saying all this since I'm not all that
           knowledgeable about these things, but I can tell you that
           if I were buying one for myself, I'd get the VX2000 or
           PD150.  At least, all the mentioned units have separate
           CCDs for the primary colors.  Most of the consumer crap
           don't.
           \_ Sony makes some nice cameras, to be sure, and the VX2000
              is very nice.  Both the Canon XL and the Sony VX are known
              as "prosumer" and get used for independently-produced
              films quite a bit.  Let me know what you decide on.   -brain
              \_ he's really making a low-budget porn flick and behind the
                 scenes of so he can more with that flick than he did as SW E
        \_ Maybe you can just rent one...perhaps from Adolph Gasser.
           \_  Whoops.  You're totally right, I didn't even think of that.
               If you are making this film in the bay area, check out your
               local public access station for very cheap equipment rentals.
               For example the Palo Alto station has cameras for $10 / day.
               http://mpactv.org  is their home page (click on "Producing")
               See also the SF Film Arts Foundation at
               http://www.filmarts.org/facility/index.html
               Also check out their links on that same site     -brain
        \_ Theres a new HD camera that does 720P/30 that is supposed to
           be pretty cool.  See link:www.jvc.com -ax
           \_ Saw this, but wondered about the low price tag. If it's that
              great then why is it cheap (relatively)? I'm skeptical. --dim
2025/04/04 [General] UID:1000 Activity:popular
4/4     

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2012/3/7-26 [Consumer/Camera] UID:54328 Activity:nil
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2010/4/8-5/10 [Consumer/Camera] UID:53778 Activity:nil
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mpactv.org
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www.filmarts.org/facility/index.html
Access is available only to Film Arts members working on noncommercial projects. The production facility rents Super-8, 16mm, and digital video camera packages, sound, grip, and lighting packages, and other accessories and gear. The post-production facility houses 16mm and nonlinear (Avid, Pro Tools, and Final Cut Pro) video editing rooms, as well as an optical printer and an audio lab. Audition and rehearsal spaces as well as screening facilities are available. Download the latest Facility rate card in Adobe Acrobat format 17 here>> Watch Our Post Production Sound Overview Background Working Together The Composition Process Click Image To Play Video Facility: (415) 552-8760 x330| 18 Where is Film Arts?