7/13 A friend wants to make a documentary with a digital camcorder. She has
about a $3000 budget, give or take, for the camera alone (not tripod
and such). People seem to recommend Canon. Anyone here have one? Is
there something else she should look into? If she doesn't have to
spend her whole budget so much the better. She's new to this digital
stuff, but not to film making. She's considering the XL1S and GL2.
Still images aren't needed and wouldn't be used. --dim
\_ I've used both Sony & Canon. Canon's have slightly better
optics, Sony's don't break as much. All generalizations are false.
\_ The GL series is not a "real" camera- try using zoom and focus
and you'll see what I mean. Of those two models, the XL is the
camera of choice for indie filmmakers- I've been on several shoots
camera of choice for indie film makers- I've been on several shoots
with the XL and it worked out fine. Bonus points for use of
you'll blow u pthe camera). Also note the XL's tendency to
Canon's other lenses with the XL (you need an adapter though or
you'll blow up the camera). Also note the XL's tendency to
"idle out" (turn off when not in use) is painful but that's really
the only bad thing about it. -brain
\_ Why not Sony VX2000? It's almost the same as the Sony's
professional version (PD150). From what I understand, both
are highly regarded. According to Canon site, XL1S doesn't
actually have enough pixels to cover full DV resolution.
GL2 and VX2000 do. GL2 uses smaller CCD, though. I don't
know why I'm even saying all this since I'm not all that
knowledgeable about these things, but I can tell you that
if I were buying one for myself, I'd get the VX2000 or
PD150. At least, all the mentioned units have separate
CCDs for the primary colors. Most of the consumer crap
don't.
\_ Sony makes some nice cameras, to be sure, and the VX2000
is very nice. Both the Canon XL and the Sony VX are known
as "prosumer" and get used for independently-produced
films quite a bit. Let me know what you decide on. -brain
\_ he's really making a low-budget porn flick and behind the
scenes of so he can more with that flick than he did as SW E
\_ Maybe you can just rent one...perhaps from Adolph Gasser.
\_ Whoops. You're totally right, I didn't even think of that.
If you are making this film in the bay area, check out your
local public access station for very cheap equipment rentals.
For example the Palo Alto station has cameras for $10 / day.
http://mpactv.org is their home page (click on "Producing")
See also the SF Film Arts Foundation at
http://www.filmarts.org/facility/index.html
Also check out their links on that same site -brain
\_ Theres a new HD camera that does 720P/30 that is supposed to
be pretty cool. See link:www.jvc.com -ax
\_ Saw this, but wondered about the low price tag. If it's that
great then why is it cheap (relatively)? I'm skeptical. --dim |